Basically nothing happens outside of the context of the families, either there are a few brief shots at school and one sequence in a police office, but that's it. The regular intercutting of Sylvia/Veronica's time with her own daughter complicates that as well, giving Addison Aguilera's Cindy screen time to be a missing branch of that tree as well. Patty McCormack's bizarre, sometimes very interesting performance of a woman who became a mother in the 70s Angie Patterson's Maggie, and her daughter, Violet Hicks' Ava.
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If I were going to pick out one neat thing, it's the way that this movie revolves around three generations of women. The movie ends - just before a very weird, unnecessary stinger that reveals that this movie still has no idea if it's a horror film - with the couple reconstituted, their daughter looking on happily. He is also there at the confession, and has been helping out. We learn a bit into the movie that she's split from her husband, Zeke, because he stole money from her to make an investment that broke bad.
For Maggie, it serves to reconstitute the family. Her daughter appears to her and says that she accepts the apology. For Sylvia/Veronica, it ends in forgiveness. That inability to decide is annoying but also, maybe, productive.īecause the results of that confession are twofold. It can't decide if she's an avatar of evil or the subject of a true crime novel.
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This information is presented in a way to make it seem like she was full of shit that she just wanted to kill him. We learned earlier that she ended up killing her husband, and that she claimed self defense. It comes to a head with Maggie digging up Cindy's remains and Sylvia/Veronica confessing, saying that she made up the story and hid the body because her husband would have accused her of killing their daughter and hurt her. This all comes out just after she holds Maggie (the house flipper who moved in and is the protagonist)'s daughter Ava hostage, trying to turn her into Cindy. It turns out she accidentally killed Cindy with cough syrup and (unidentified?) pills, buried her in the rose garden, and then made up the story of her being abducted. Sylvia, the neighbor who is actually the mother of the girl who went missing in the house in the 1970s, is trying to conjure her daughter. More importantly, the way it wraps up is. This may or may not be true of any of the reviews from here on. Hi, literally two sentences from now spoils the whole thing. This isn't a particularly good movie, I guess. Most of these reviews are adaptations of those initial thoughts some completely revamped, some only lightly edited. I reviewed each of them the same day (more or less), so if you want my initial thoughts on some of these movies you can check out my letterboxd account. I watched 56 movies in 2018, a very large chunk of which were new. Of all the lists I put out this week, this one is probably the one I'm most qualified for. And hey, maybe consider taking a peak at the old Valentine's Day Compilation call for submissions. #1: Extreme Meatpunks Forever: Powered by BloodĪnd that's it for 2018, from me.
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